Sunday, 1 June 2014

Ai Wei

Influence Ai Wei 
Movement: Dada


For his colored vase series, he takes Neolithic vases (5000 – 3000 B.C.) and paints them careless with bright industrial colors. Then he places them in an Allan McCollum style.

The vases are authentic antique vases which could just as easily have stood in a collection in a historical museum in China. Yet it is not contempt for China’s history and tradition that lies behind this harsh treatment of the fine old antiques – on the contrary. His use of the vases should rather be seen as a Dadaistic gesture, as black humour and as a political comment on the organized destruction of cultural and historical values that took place, especially during the Cultural Revolution, when every¬thing old was to be replaced by the new. This stopped after the death of Mao, but the destruction and erosion of Chinese culture continues to this day – now under cover of economic progress.
Ai Weiwei points to the loss of culture by transforming the historical objects into something new – into moving and highly sensual contemporary artworks which thanks to their aesthetic beauty recirculate the meaning and history of these valuable cultural artefacts.


A 2010 exhibition review by Bean Gilsdorf, published on Daily Serving, notes that, “Urns of this vintage are usually cherished for their anthropological importance. By employing them as readymades, Ai strips them of their aura of preciousness only to reapply it according to a different system of valuation. However, this is not the well-worn strategy of the readymade famously applied by Duchamp to his urinal Fountain, wherein the object lacked cultural gravitas until placed in an art context. Instead, Ai’s chosen readymades already have significance. Working in this manner, Ai transforms precious artifacts—treating them as base and valueless by painting, dropping, grinding, or slapping with a logo—into contemporary fine art. The substitution of one kind of value for another occurs when he displays the transformed urns in a museum vitrine, reinstilling value but replacing historical significance with a newer cultural one.”









https://www.youtube.com/watch?v=jCWpt8r-2WU

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